When asked by San Francisco Chronicle jazz critic Ralph J. "It's like signing the back of a check", he once remarked. Guaraldi never minded taking requests to play it when he appeared live. While "Cast Your Fate to the Wind" by Guaraldi achieved modest chart success as a single in 1963, a cover version two years later by British group Sounds Orchestral cracked the Billboard top 10 (in the spring of 1965). A gentle, likeable tune, it stood out from everything else on the airwaves and became a grass-roots hit and won the Grammy for Best Original Jazz Composition. Fantasy Records released "Samba de Orpheus" as a single, trying to catch the building bossa nova wave, but it was destined to sink without a trace when radio DJs began flipping it over and playing the B-side, Guaraldi's " Cast Your Fate to the Wind ". He might have remained a well-respected, but minor jazz figure had he not written an original number to fill out his covers of Antonio Carlos Jobim/Luis Bonfá tunes on his 1962 album, Jazz Impressions of Black Orpheus, inspired by the French/Brazilian film Black Orpheus. Guaraldi left the group early in 1959 to pursue his own projects full-time.
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